"I've never put one together. I would be very interested to see and hear what everyone else has as a portfolio and what makes up one." ~ Jo
I don't talk about this much but I used to be art director of several children's magazines. One of my responsibilities was to review portfolios from illustrators who wanted to do work for us. It's not an exaggeration to say that I've seen hundreds (seems more like thousands) of portfolios. So I know a little about this subject :)
"An effective portfolio accurately represents the designer's abilities and skills in the best possible light. This means that it is clean and well put-together, and while it's nice to try to be a little different, a portfolio should not look gimmicky. The viewer should be more aware of the work than the portfolio itself. An effective portfolio illustrates the designer's self-presentation and communication abilities as well as showcasing the work."
Some basic portfolio "rules"—
• Since you should only show 10-15 samples make sure it's your very best work. Start off with your strongest piece, end with an equally strong one, and have a good solid middle.
• Keep your samples fresh. Anything older than 3 years should be taken out. People want to see what you're doing now, not what you did several years ago.
• Tailor your portfolio to the specific interview and show work that's relevant to that business.
• Have a sample that you can leave with the person you're showing the portfolio to. And make sure your contact info is on it.
I work in two fields so I have two portfolios. But even these are fluid as I add or subtract samples based on the needs of the clients I'm showing them to. My graphic design portfolio has a lot of publication design work but, if I'm meeting with a corporate client, I add more business-oriented samples.
For Primrose I have a book of designs that serves as a carry-along portfolio. It's hard to carry more than one actual pillow when I meet with shop owners about carrying my things in their stores. So, the portfolio serves as a showcase of past designs and hopefully covers the kinds of things they sell. While I like making the funky and colorful pillows best, some shops are more sweet and girly. I try to do some research ahead of time and tailor my samples to what I think will work best in their shop. Here's what the book looks like.
I print up the 8.5 x 11 individual sheets on photo paper and slip them into the plastic sleeves. It takes just minutes to replace old designs with new ones and I can tailor the pages specifically to a particular shop. For a leave-behind, I have business cards and my latest postcard with my contact information on it.
Shop owners (and art directors) are busy people so make the process as easy as possible for them. Anticipate their needs and make sure your portfolio reflects those needs. Pretty simple really :)
See more portfolios here.